Show simple item record

dc.rights.licenseAtribución-NoComercial 4.0 Internacional
dc.contributor.authorBermúdez, Egberto
dc.date.accessioned2019-06-29T09:39:25Z
dc.date.available2019-06-29T09:39:25Z
dc.date.issued2011
dc.identifier.urihttps://repositorio.unal.edu.co/handle/unal/50044
dc.description.abstractBased on the study of the available iconographic sourcesfor this period, this article examines the development ofthe bandola in Colombia in the second half of the nineteenthcentury. It tries to explain how for its development,the bandola borrowed elements from other instrumentsthat coexisted initially with it, such as the tiple and thebandurria; and how, under the influence of Spanish Estudiantinasachieved the shape and characteristics thatconverted into an emblematic instrument of Colombian‘national’ music, playing a major role in its developmentduring the first half of the XX century.
dc.format.mimetypeapplication/pdf
dc.language.isospa
dc.publisherRevista Ensayos: Historia y teoría del arte
dc.relationhttp://revistas.unal.edu.co/index.php/ensayo/article/view/45992
dc.relation.ispartofUniversidad Nacional de Colombia Revistas electrónicas UN Ensayos: Historia y teoría del arte
dc.relation.ispartofEnsayos: Historia y teoría del arte
dc.relation.ispartofseriesEnsayos: Historia y Teoría del Arte; núm. 21 (2011); 151-180 Revista Ensayos: Historia y teoría del arte; núm. 21 (2011); 151-180
dc.rightsDerechos reservados - Universidad Nacional de Colombia
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/
dc.titleMusic and society in 19th-century nueva granada and colombia. the bandola and its history through iconographic sources (1850-1900)
dc.typeArtículo de revista
dc.type.driverinfo:eu-repo/semantics/article
dc.type.versioninfo:eu-repo/semantics/publishedVersion
dc.identifier.eprintshttp://bdigital.unal.edu.co/43572/
dc.relation.referencesBermúdez, Egberto (2011) Music and society in 19th-century nueva granada and colombia. the bandola and its history through iconographic sources (1850-1900). Ensayos: Historia y Teoría del Arte; núm. 21 (2011); 151-180 Revista Ensayos: Historia y teoría del arte; núm. 21 (2011); 151-180 .
dc.rights.accessrightsinfo:eu-repo/semantics/openAccess
dc.subject.proposalBandola
dc.subject.proposalbandurria
dc.subject.proposaltiple
dc.subject.proposalColombia
dc.subject.proposalNew Granada
dc.subject.proposalmusical instruments
dc.subject.proposalmusic iconography
dc.type.coarhttp://purl.org/coar/resource_type/c_6501
dc.type.coarversionhttp://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.contentText
dc.type.redcolhttp://purl.org/redcol/resource_type/ART
oaire.accessrightshttp://purl.org/coar/access_right/c_abf2


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

Atribución-NoComercial 4.0 InternacionalThis work is licensed under a Creative Commons Reconocimiento-NoComercial 4.0.This document has been deposited by the author (s) under the following certificate of deposit