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dc.rights.licenseAtribución-NoComercial 4.0 Internacional
dc.contributor.authorCasanto, Enrique
dc.date.accessioned2019-06-29T11:27:17Z
dc.date.available2019-06-29T11:27:17Z
dc.date.issued2014-09-30
dc.identifier.urihttps://repositorio.unal.edu.co/handle/unal/51138
dc.description.abstractThe paintings of Enrique Casanto, ashaninka from the Orchid clan, make you see double because they show that everything that exists has its double. Everything is at the same time human and not-human, including himself and all those of the Casanto clan, descending from the great Orchid warrior of the past who used the strategies of a flower quietly resting on a branch to defeat his enemies. Being so much like an orchid, he ended up transforming in to such a plant. His art shows the passage from one shape to the other as it takes place in cosmology and shamanism.
dc.description.abstractLas pinturas de Enrique Casanto, ashaninka del clan de la Orquidea, hacen ver en doble porque muestran que todo lo que existe tiene su duplo. Todo ser es a la vez humano y no-humano, inclusive él mismo y todos los de su clan Casanto, descendientes del gran guerrero Orquídea del pasado que usaba las estrategias de una flor inmóvil en el tronco para vencer a sus enemigos y, de tanto asemejarse a una orquídea, terminó convirtiéndose en dicha flor. Su arte muestra el pasaje de una forma corporal a la otra que acontece en la cosmología y las prácticas curativas chamánicas.
dc.format.mimetypeapplication/pdf
dc.language.isospa
dc.publisherUniversidad Nacional de Colombia
dc.relationhttp://revistas.unal.edu.co/index.php/imanimundo/article/view/45803
dc.relation.ispartofUniversidad Nacional de Colombia Revistas electrónicas UN Mundo Amazonico
dc.relation.ispartofMundo Amazonico
dc.relation.ispartofseriesMundo Amazonico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 2145-5082 2145-5074
dc.rightsDerechos reservados - Universidad Nacional de Colombia
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/
dc.titleI have painted about how the beings can transform themselves
dc.typeArtículo de revista
dc.type.driverinfo:eu-repo/semantics/article
dc.type.versioninfo:eu-repo/semantics/publishedVersion
dc.identifier.eprintshttp://bdigital.unal.edu.co/45210/
dc.relation.referencesCasanto, Enrique (2014) I have painted about how the beings can transform themselves. Mundo Amazonico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 Mundo Amazónico; Vol. 5 (2014); 237-243 2145-5082 2145-5074 .
dc.rights.accessrightsinfo:eu-repo/semantics/openAccess
dc.subject.proposalAshaninka
dc.subject.proposalAmazonía peruana
dc.subject.proposalarte contemporáneo indígena
dc.subject.proposalchamanismo amazónico
dc.subject.proposalAshaninka
dc.subject.proposalPeruvian Amazonia
dc.subject.proposalindigenous contemporary art
dc.subject.proposalAmazonian shamanism
dc.type.coarhttp://purl.org/coar/resource_type/c_6501
dc.type.coarversionhttp://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.contentText
dc.type.redcolhttp://purl.org/redcol/resource_type/ART
oaire.accessrightshttp://purl.org/coar/access_right/c_abf2


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Atribución-NoComercial 4.0 InternacionalThis work is licensed under a Creative Commons Reconocimiento-NoComercial 4.0.This document has been deposited by the author (s) under the following certificate of deposit