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Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo

dc.rights.licenseAtribución-NoComercial-SinDerivadas 4.0 Internacional
dc.contributor.advisorGarcía Maidana, María Soledad
dc.contributor.authorArchila Cifuentes, Laura
dc.date.accessioned2023-06-06T20:01:22Z
dc.date.available2023-06-06T20:01:22Z
dc.date.issued2023
dc.identifier.urihttps://repositorio.unal.edu.co/handle/unal/83978
dc.descriptionilustraciones, fotografías, graficas
dc.description.abstractEsta investigación se interesa por la interacción entre imagen, territorio y extractivismo en tres obras audiovisuales de arte contemporáneo latinoamericano: Viaje a una tierra otrora contada (2011) de Laura Huertas Millán, Suspensión I (2019) de Adrián Balseca, y El Oriente es un mito. Capítulo 01: Petróleo (2021) de Sofía Acosta. A partir de una aproximación interseccional el trabajo teje un diálogo entre la ecología política, los estudios decoloniales y visuales. Las tres obras permiten ahondar en diferentes formas de la violencia y la colonialidad, así como articular una serie de anotaciones en torno a la elaboración de visualidades del extractivismo desde el arte. Las visualidades del extractivismo se caracterizan, entre otras, por una visión sin suelo, la conversión del otro en recurso, y la hipervisibilización de ciertas imágenes. Estas visualidades encarnan manifestaciones estéticas, materiales y del pensamiento, que afectan cuerpos humanos y no humanos (texto tomado de la fuente)
dc.description.abstractThis research focuses on the interaction between image, territory, and extractivism in three Latin American contemporary audiovisual artworks: "Viaje a una tierra otrora contada" (2011) by Laura Huertas Millán, "Suspensión I" (2019) by Adrián Balseca, and "El Oriente es un mito. Capítulo 01: Petróleo" (2021) by Sofía Acosta. Through an intersectional approach, this study establishes a dialogue between political ecology, decolonial and visual studies. The three artworks enable a deeper exploration of various manifestations of violence and coloniality while also providing insights into the construction of visualities of extractivism through art. The visualities of extractivism are characterized, among other things, by a non grounded vision, the transformation of the Other into a resource, and the hyper-visibility of some images. These visualities embody aesthetic, material, and conceptual expressions that impact both human and non-human bodies.
dc.format.extent105 páginas
dc.format.mimetypeapplication/pdf
dc.language.isospa
dc.publisherUniversidad Nacional de Colombia
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject.ddc700 - Las artes, bellas artes y artes decorativas::707 - Educación, investigación, temas relacionados y artes decorativas
dc.subject.ddc770 - Fotografía, arte computacional, cinematografía::777 - Cinematografía y videografía
dc.titleVisualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo
dc.typeTrabajo de grado - Maestría
dc.type.driverinfo:eu-repo/semantics/masterThesis
dc.type.versioninfo:eu-repo/semantics/acceptedVersion
dc.publisher.programBogotá - Artes - Maestría en Historia y Teoría del Arte, la Arquitectura y la Ciudad
dc.contributor.researchgroupMónada. Historiografía E Historias del Arte, de la Música y Dispositivos de Divulgación Cultural en Colombia y América latina.
dc.description.degreelevelMaestría
dc.description.degreenameMagíster en Historia y Teoría del Arte, la Arquitectura y la Ciudad
dc.description.researchareaHistoria, Teoría y Crítica del Arte
dc.identifier.instnameUniversidad Nacional de Colombia
dc.identifier.reponameRepositorio Institucional Universidad Nacional de Colombia
dc.identifier.repourlhttps://repositorio.unal.edu.co/
dc.publisher.facultyFacultad de Artes
dc.publisher.placeBogotá,Colombia
dc.publisher.branchUniversidad Nacional de Colombia - Sede Bogotá
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dc.rights.accessrightsinfo:eu-repo/semantics/openAccess
dc.subject.lembArte contemporaneo
dc.subject.lembContemporary art
dc.subject.lembViolencia
dc.subject.lembViolence
dc.subject.proposalInterseccional
dc.subject.proposalVisualidad
dc.subject.proposalExtractivismo
dc.subject.proposalColonialidad
dc.subject.proposalVideo
dc.subject.proposalArte latinoamericano contemporáneo
dc.subject.proposalIntersectional
dc.subject.proposalVisuality
dc.subject.proposalExtractivism
dc.subject.proposalColoniality
dc.subject.proposalVideo
dc.subject.proposalContemporary Latin American Art
dc.title.translatedVisualities of Extractivism: Comments on Three Contemporary Artworks
dc.type.coarhttp://purl.org/coar/resource_type/c_bdcc
dc.type.coarversionhttp://purl.org/coar/version/c_ab4af688f83e57aa
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dc.type.redcolhttp://purl.org/redcol/resource_type/TM
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dcterms.audience.professionaldevelopmentPúblico general
dc.contributor.orcidhttps://orcid.org/0009-0005-5167-2637
dc.contributor.cvlachttps://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0001847706
dc.contributor.researchgatehttps://www.researchgate.net/profile/Laura-Archila-Cifuentes


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