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Especies de compañía
dc.rights.license | Reconocimiento 4.0 Internacional |
dc.contributor.advisor | Marin, Alejandra |
dc.contributor.advisor | Noriega, Zoitsa |
dc.contributor.author | Dear, Romany |
dc.contributor.illustrator | Betancurth, Juan |
dc.contributor.other | Michel, Tik |
dc.date.accessioned | 2021-10-04T14:50:46Z |
dc.date.available | 2021-10-04T14:50:46Z |
dc.date.issued | 2021-09-14 |
dc.identifier.uri | https://repositorio.unal.edu.co/handle/unal/80362 |
dc.description | ilustraciones, gráficas, fotografías |
dc.description.abstract | Especies de compañía viene de un pensamiento de una cuerpa de la futura, una ficción en donde las formas de comunicación y cuidado entre las especies están germinando. Un ecosistema que involucra el desarrollo de tacto, una lógica del sensorial y erótica como una tecnología para conectarnos. Toma la forma de una híbrida que vive en el lugar del cruce entre lo que podemos nombrar, una lectura táctil o una manifestó corporal. Cultivando un gesto, para acompañarnos a aprender y desaprender todos los pasos necesarios para llegar bailando, con cuidado, hacia otras futuras. (Texto tomado de la fuente). |
dc.description.abstract | Is a thought process derived from a body that comes from the future, a fction in which the forms of communication and care between species are germinating. An ecosystem that involves the development of touch; a sensory and erotic logic like a technology that connect us. It takes the form of a hybrid species that lives at the crossroads between what we could name, a tactile reading or a body manifesto. This text looks to cultivate a gesture, accompanying us to learn and unlearn all the necessary steps to arrive, dancing, with care, towards other possible futures. |
dc.format.extent | 98 páginas |
dc.format.mimetype | application/pdf |
dc.language.iso | spa |
dc.publisher | Universidad Nacional de Colombia |
dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ |
dc.subject.ddc | 700 - Las artes, bellas artes y artes decorativas |
dc.title | Especies de compañía |
dc.type | Trabajo de grado - Maestría |
dc.type.driver | info:eu-repo/semantics/masterThesis |
dc.type.version | info:eu-repo/semantics/acceptedVersion |
dc.publisher.program | Bogotá - Artes - Maestría Interdisciplinaria Teatro y Artes Vivas |
dc.description.notes | Texto pdf para consultas en artes vivas y cuidados |
dc.description.degreelevel | Maestría |
dc.description.degreename | Magíster Interdisciplinar en Teatro y Artes Vivas |
dc.description.researcharea | Artes Vivas, performancia y política |
dc.description.technicalinfo | Tiene braile |
dc.identifier.instname | Universidad Nacional de Colombia |
dc.identifier.reponame | Repositorio Institucional Universidad Nacional de Colombia |
dc.identifier.repourl | https://repositorio.unal.edu.co/ |
dc.publisher.faculty | Facultad de Artes |
dc.publisher.place | Bogotá, Colombia |
dc.publisher.branch | Universidad Nacional de Colombia - Sede Bogotá |
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dc.relation.references | Dance for plants Collective. Compost, 2019. http://www.danceforplants.com/ |
dc.relation.references | Lisa Luxx. How language shapes your mental health, TEDx, University of York, 2017. Information accessed:https://www. ted.com/talks/lisa_luxx_how_language_ creates_your_mental_health |
dc.relation.references | Barad, Karen. Political Desirings: Yearnings for Mattering, Diferently. Reino Unido: John Hopkins University Press, 2021. |
dc.relation.references | Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, Duke University Press, 2007. |
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dc.relation.references | Crosby, Christina. “Disability, Debility and Caring Queerly”, Social Text 145, vol. 38, no. 4, 2020. |
dc.relation.references | Daniels, Yolande. “O: The apparatus”. In: E. Miller and M. Ward (eds). Crime & Ornament. The Arts and Popular Culture in the Shadow of Adolf Loss. Reino Unido: Y Y Z Books, 2006. |
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dc.relation.references | Gómez-Peña, Guillermo. “En defensa del arte del performance”. Horizontes Antropológicos, vol. 24, 2005. |
dc.relation.references | Greenhough, Beth. “When species mingle and meet, endemic human-virus relations, embodied communication and more-than-human agency at the Common Cold Unit 1946-90”. Cultural Geographies, vol. 19, no. 3, July 2012. |
dc.relation.references | Haraway, Donna. “Animal Sociology and a natural economy of the body politic”. Women, Science, and Society, vol. 4, no. 1, Autumn, 1978 |
dc.relation.references | Haraway, Donna. The Companion Species Manifesto: Dogs, People, and Signifcant Otherness, Chicago: The University of Chicago Press, 2003. |
dc.relation.references | Haraway, Donna. When Species Meet. Minneapolis: University of Minnesota Press, 2008. |
dc.relation.references | King, Katie. “Barad’s Entanglements and Transcontextual Habitats”. Rhizomes. Cultural Studies in Emerging Knowledge, vol. 30, 2016. |
dc.relation.references | Kenney, Martha. “Frontier Epistemologies”. GeoFeminisms II: Phylogeographic. History of Consciousness and Anthropology Departments, University of California at Santa Cruz, 2006. |
dc.relation.references | Lepecki, André. Choreopolice and choreopolitics, or the task of the dancer, Francia: Chercheurs sur la Communauté, 2013. |
dc.relation.references | Lee Boggs, Grace. Living for change: An autobiography. Estados Unidos: University of Minnesota Press, 1989. |
dc.relation.references | Le Guin, K. Ursula. The carrier bag theory of fction, U.S.A: Ignota Books, 2020. |
dc.relation.references | Miyake, Esperanza. “My, is that Cyborg a little bit Queer?” Journal of International Women’s Studies, vol. 5, no. 2, 2004, pp. 53-61. |
dc.relation.references | Morales, Cristina. “Que las mujeres escriban no signifca que la literatura esté ejerciendo un papel feminista”. Cabeza del gato, febrero 5, 2019. |
dc.relation.references | Pedreàñez, Inger. “El espacio experimental de Lygia Clark”. Revista Estilo. Fundación Cultural Estilo in Arte contemporáneo, mayo 4, 2020. |
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dc.relation.references | Wenger, Etienne. Communities of Practice: Learning, Meaning, and Identity. Reino Unido: Cambridge University Press, 1988. |
dc.rights.accessrights | info:eu-repo/semantics/openAccess |
dc.subject.proposal | Artes |
dc.subject.proposal | Artes vivas |
dc.subject.proposal | Cuerpo |
dc.subject.proposal | Cuidado |
dc.subject.proposal | Consentimiento |
dc.subject.proposal | Arts |
dc.subject.proposal | Live arts |
dc.subject.proposal | Care |
dc.subject.proposal | Consent |
dc.subject.unesco | Arte latinoamericano |
dc.subject.unesco | Latin American art |
dc.subject.unesco | Artistic creation |
dc.subject.unesco | Creación artística |
dc.subject.unesco | Artes escénicas |
dc.subject.unesco | Performing arts |
dc.title.translated | Companion species |
dc.type.coar | http://purl.org/coar/resource_type/c_bdcc |
dc.type.coarversion | http://purl.org/coar/version/c_ab4af688f83e57aa |
dc.type.content | Text |
dc.type.redcol | http://purl.org/redcol/resource_type/TM |
oaire.accessrights | http://purl.org/coar/access_right/c_abf2 |
dcterms.audience.professionaldevelopment | Público general |
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