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dc.rights.licenseReconocimiento 4.0 Internacional
dc.contributor.advisorMarin, Alejandra
dc.contributor.advisorNoriega, Zoitsa
dc.contributor.authorDear, Romany
dc.contributor.illustratorBetancurth, Juan
dc.contributor.otherMichel, Tik
dc.date.accessioned2021-10-04T14:50:46Z
dc.date.available2021-10-04T14:50:46Z
dc.date.issued2021-09-14
dc.identifier.urihttps://repositorio.unal.edu.co/handle/unal/80362
dc.descriptionilustraciones, gráficas, fotografías
dc.description.abstractEspecies de compañía viene de un pensamiento de una cuerpa de la futura, una ficción en donde las formas de comunicación y cuidado entre las especies están germinando. Un ecosistema que involucra el desarrollo de tacto, una lógica del sensorial y erótica como una tecnología para conectarnos. Toma la forma de una híbrida que vive en el lugar del cruce entre lo que podemos nombrar, una lectura táctil o una manifestó corporal. Cultivando un gesto, para acompañarnos a aprender y desaprender todos los pasos necesarios para llegar bailando, con cuidado, hacia otras futuras. (Texto tomado de la fuente).
dc.description.abstractIs a thought process derived from a body that comes from the future, a fction in which the forms of communication and care between species are germinating. An ecosystem that involves the development of touch; a sensory and erotic logic like a technology that connect us. It takes the form of a hybrid species that lives at the crossroads between what we could name, a tactile reading or a body manifesto. This text looks to cultivate a gesture, accompanying us to learn and unlearn all the necessary steps to arrive, dancing, with care, towards other possible futures.
dc.format.extent98 páginas
dc.format.mimetypeapplication/pdf
dc.language.isospa
dc.publisherUniversidad Nacional de Colombia
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subject.ddc700 - Las artes, bellas artes y artes decorativas
dc.titleEspecies de compañía
dc.typeTrabajo de grado - Maestría
dc.type.driverinfo:eu-repo/semantics/masterThesis
dc.type.versioninfo:eu-repo/semantics/acceptedVersion
dc.publisher.programBogotá - Artes - Maestría Interdisciplinaria Teatro y Artes Vivas
dc.description.notesTexto pdf para consultas en artes vivas y cuidados
dc.description.degreelevelMaestría
dc.description.degreenameMagíster Interdisciplinar en Teatro y Artes Vivas
dc.description.researchareaArtes Vivas, performancia y política
dc.description.technicalinfoTiene braile
dc.identifier.instnameUniversidad Nacional de Colombia
dc.identifier.reponameRepositorio Institucional Universidad Nacional de Colombia
dc.identifier.repourlhttps://repositorio.unal.edu.co/
dc.publisher.facultyFacultad de Artes
dc.publisher.placeBogotá, Colombia
dc.publisher.branchUniversidad Nacional de Colombia - Sede Bogotá
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dc.relation.referencesKenney, Martha. “Frontier Epistemologies”. GeoFeminisms II: Phylogeographic. History of Consciousness and Anthropology Departments, University of California at Santa Cruz, 2006.
dc.relation.referencesLepecki, André. Choreopolice and choreopolitics, or the task of the dancer, Francia: Chercheurs sur la Communauté, 2013.
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dc.rights.accessrightsinfo:eu-repo/semantics/openAccess
dc.subject.proposalArtes
dc.subject.proposalArtes vivas
dc.subject.proposalCuerpo
dc.subject.proposalCuidado
dc.subject.proposalConsentimiento
dc.subject.proposalArts
dc.subject.proposalLive arts
dc.subject.proposalCare
dc.subject.proposalConsent
dc.subject.unescoArte latinoamericano
dc.subject.unescoLatin American art
dc.subject.unescoArtistic creation
dc.subject.unescoCreación artística
dc.subject.unescoArtes escénicas
dc.subject.unescoPerforming arts
dc.title.translatedCompanion species
dc.type.coarhttp://purl.org/coar/resource_type/c_bdcc
dc.type.coarversionhttp://purl.org/coar/version/c_ab4af688f83e57aa
dc.type.contentText
dc.type.redcolhttp://purl.org/redcol/resource_type/TM
oaire.accessrightshttp://purl.org/coar/access_right/c_abf2
dcterms.audience.professionaldevelopmentPúblico general


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Reconocimiento 4.0 InternacionalEsta obra está bajo licencia internacional Creative Commons Reconocimiento-NoComercial 4.0.Este documento ha sido depositado por parte de el(los) autor(es) bajo la siguiente constancia de depósito