Soledades Vecinas, Rilke o el ascenso de Orfeo
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Betancur Zapata, Santiago
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Soledades Vecinas es una aproximación estético-literaria a la experiencia de la soledad, en este caso, a través de la obra del poeta Praguense Rainer María Rilke. Nuestra tesisconstata que la travesía del poeta es ante todo la de una incansable reinvención de imágenes de la soledad en virtud de una relación otra con la palabra. Las voces de Maurice Blanchot, Paul de Man, y Gabriel Marcel, se imbrican para dar vida y profundidad a este recorrido, que se inscribe en la narrativa del ascenso órfico, que es la ruina de lo humano como un vacío móvil en el corazón del lenguaje.
This article is an aesthetic-literary approach to the experience of solitude, in this case, through the work of the poet from Prague, Rainer Maria Rilke. Our article confirms that the poet’s journey is above all a tireless reinvention of the images of loneliness by virtue of a different relationship with language. The voices of Maurice Blanchot, Paul de Man, and Gabriel Marcel interweave to give life and depth to this journey that is inscribed in the narrative of the Orphic ascent, which represents the ruin of humanity as a mobile void in the heart of language.
This article is an aesthetic-literary approach to the experience of solitude, in this case, through the work of the poet from Prague, Rainer Maria Rilke. Our article confirms that the poet’s journey is above all a tireless reinvention of the images of loneliness by virtue of a different relationship with language. The voices of Maurice Blanchot, Paul de Man, and Gabriel Marcel interweave to give life and depth to this journey that is inscribed in the narrative of the Orphic ascent, which represents the ruin of humanity as a mobile void in the heart of language.