Auto-afección y animación en la fenomenología de Edmund Husserl
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Acuña Gutiérrez, Jhon Edwin
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Debido al carácter reflexivo del ejercicio fenomenológico, pues la conciencia termina indagando por sí misma tomándose como objeto, la pregunta por la experiencia más básica de sí mismo que precede a dicha reflexión y que la hace posible adquiere la mayor importancia para la fenomenología. La búsqueda de dicha experiencia nos arroja a un terreno por transitar y de visible interés para Husserl: la dimensión pasiva de la conciencia. En ese encuentro, aparece el fenómeno de la auto-afección como esfera de la experiencia digna de ser explorada y descrita. Gracias a esta
investigación, resalta el carácter temporal de la conciencia, y en específico, el auto-percatamiento del flujo absoluto de
vivencias en virtud de su aspecto retencional. Lo anterior, no obstante, abre camino para profundizar en términos clave de la fenomenología de Husserl como hylé, afectividad, cuerpo, ubiestesias y cinestesias, así como para problematizar la posibilidad y precisión de una investigación en este nivel genético, la necesidad de brindar un lugar prominente al cuerpo vivo en este marco trascendental de investigación y en últimas recordar el interés por describir la experiencia del organismo vivo. La presente tesis se propone defender, a nivel general, la idea según la cual cualquier descripción de
esta experiencia originaria de sí mismo requiere reconocer, desde sus raíces, el principio básico de la animación: sólo comprendiendo que el marco de la auto-afección es la animalidad puede salir a flote aspectos que le son propios como su carácter dinámico y su origen instintivo.
Due to the reflective character of phenomenological approach (because consciousness inquires for itself as an object) the question related to the most basic self-experience that precedes any reflection and makes it possible acquires main importance to the phenomenology. The search of this experience throws us to a terrain to transit and with visible importance to Husserl: The passive dimension of consciousness. In that encounter, appears the phenomenon of self-affection as a sphere of experience worthy of been explored and described. This research highlights the temporal character of consciousness, in specific, the self-awareness of the absolute flux of experiences due to his retentional aspect. This, however, brings a path to deepen in key concepts to Husserl’s phenomenology like hylé, affectivity, body, sensing [empfindniss], kinesthesia, and also to problematize the possibility and accuracy of this kind of search at a genetic level, the necessity to bring a prominent place to the living body in this transcendental investigation and at least to remember the interest in describe the experience of the living organism. The current thesis intends to defend, in general, the idea according to which any description of these original experience of itself must recognize, since the beginning, the basic principle of animation: Only understanding that the frame of self-affection is the animality can come to light aspects like his dynamic character and his instinctive origin.
Due to the reflective character of phenomenological approach (because consciousness inquires for itself as an object) the question related to the most basic self-experience that precedes any reflection and makes it possible acquires main importance to the phenomenology. The search of this experience throws us to a terrain to transit and with visible importance to Husserl: The passive dimension of consciousness. In that encounter, appears the phenomenon of self-affection as a sphere of experience worthy of been explored and described. This research highlights the temporal character of consciousness, in specific, the self-awareness of the absolute flux of experiences due to his retentional aspect. This, however, brings a path to deepen in key concepts to Husserl’s phenomenology like hylé, affectivity, body, sensing [empfindniss], kinesthesia, and also to problematize the possibility and accuracy of this kind of search at a genetic level, the necessity to bring a prominent place to the living body in this transcendental investigation and at least to remember the interest in describe the experience of the living organism. The current thesis intends to defend, in general, the idea according to which any description of these original experience of itself must recognize, since the beginning, the basic principle of animation: Only understanding that the frame of self-affection is the animality can come to light aspects like his dynamic character and his instinctive origin.
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Acuña Gutiérrez, J. E. (2020). Auto-afección y animación en la fenomenología de Edmund Husserl [Tesis de maestría, Universidad Nacional de Colombia]. Repositorio Institucional.