Visualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneo

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dc.contributor.advisorGarcía Maidana, María Soledad
dc.contributor.authorArchila Cifuentes, Laura
dc.contributor.cvlachttps://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0001847706spa
dc.contributor.orcidhttps://orcid.org/0009-0005-5167-2637spa
dc.contributor.researchgatehttps://www.researchgate.net/profile/Laura-Archila-Cifuentesspa
dc.contributor.researchgroupMónada. Historiografía E Historias del Arte, de la Música y Dispositivos de Divulgación Cultural en Colombia y América latina.spa
dc.date.accessioned2023-06-06T20:01:22Z
dc.date.available2023-06-06T20:01:22Z
dc.date.issued2023
dc.descriptionilustraciones, fotografías, graficasspa
dc.description.abstractEsta investigación se interesa por la interacción entre imagen, territorio y extractivismo en tres obras audiovisuales de arte contemporáneo latinoamericano: Viaje a una tierra otrora contada (2011) de Laura Huertas Millán, Suspensión I (2019) de Adrián Balseca, y El Oriente es un mito. Capítulo 01: Petróleo (2021) de Sofía Acosta. A partir de una aproximación interseccional el trabajo teje un diálogo entre la ecología política, los estudios decoloniales y visuales. Las tres obras permiten ahondar en diferentes formas de la violencia y la colonialidad, así como articular una serie de anotaciones en torno a la elaboración de visualidades del extractivismo desde el arte. Las visualidades del extractivismo se caracterizan, entre otras, por una visión sin suelo, la conversión del otro en recurso, y la hipervisibilización de ciertas imágenes. Estas visualidades encarnan manifestaciones estéticas, materiales y del pensamiento, que afectan cuerpos humanos y no humanos (texto tomado de la fuente)spa
dc.description.abstractThis research focuses on the interaction between image, territory, and extractivism in three Latin American contemporary audiovisual artworks: "Viaje a una tierra otrora contada" (2011) by Laura Huertas Millán, "Suspensión I" (2019) by Adrián Balseca, and "El Oriente es un mito. Capítulo 01: Petróleo" (2021) by Sofía Acosta. Through an intersectional approach, this study establishes a dialogue between political ecology, decolonial and visual studies. The three artworks enable a deeper exploration of various manifestations of violence and coloniality while also providing insights into the construction of visualities of extractivism through art. The visualities of extractivism are characterized, among other things, by a non grounded vision, the transformation of the Other into a resource, and the hyper-visibility of some images. These visualities embody aesthetic, material, and conceptual expressions that impact both human and non-human bodies.eng
dc.description.degreelevelMaestríaspa
dc.description.degreenameMagíster en Historia y Teoría del Arte, la Arquitectura y la Ciudadspa
dc.description.researchareaHistoria, Teoría y Crítica del Artespa
dc.format.extent105 páginasspa
dc.format.mimetypeapplication/pdfspa
dc.identifier.instnameUniversidad Nacional de Colombiaspa
dc.identifier.reponameRepositorio Institucional Universidad Nacional de Colombiaspa
dc.identifier.repourlhttps://repositorio.unal.edu.co/spa
dc.identifier.urihttps://repositorio.unal.edu.co/handle/unal/83978
dc.language.isospaspa
dc.publisherUniversidad Nacional de Colombiaspa
dc.publisher.branchUniversidad Nacional de Colombia - Sede Bogotáspa
dc.publisher.facultyFacultad de Artesspa
dc.publisher.placeBogotá,Colombiaspa
dc.publisher.programBogotá - Artes - Maestría en Historia y Teoría del Arte, la Arquitectura y la Ciudadspa
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dc.rights.accessrightsinfo:eu-repo/semantics/openAccessspa
dc.rights.licenseAtribución-NoComercial-SinDerivadas 4.0 Internacionalspa
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/spa
dc.subject.ddc700 - Las artes, bellas artes y artes decorativas::707 - Educación, investigación, temas relacionados y artes decorativasspa
dc.subject.ddc770 - Fotografía, arte computacional, cinematografía::777 - Cinematografía y videografíaspa
dc.subject.lembArte contemporaneospa
dc.subject.lembContemporary arteng
dc.subject.lembViolenciaspa
dc.subject.lembViolenceeng
dc.subject.proposalInterseccionalspa
dc.subject.proposalVisualidadspa
dc.subject.proposalExtractivismospa
dc.subject.proposalColonialidadspa
dc.subject.proposalVideospa
dc.subject.proposalArte latinoamericano contemporáneospa
dc.subject.proposalIntersectionaleng
dc.subject.proposalVisualityeng
dc.subject.proposalExtractivismeng
dc.subject.proposalColonialityeng
dc.subject.proposalVideoeng
dc.subject.proposalContemporary Latin American Arteng
dc.titleVisualidades del extractivismo: comentarios a propósito de tres obras de arte contemporáneospa
dc.title.translatedVisualities of Extractivism: Comments on Three Contemporary Artworkseng
dc.typeTrabajo de grado - Maestríaspa
dc.type.coarhttp://purl.org/coar/resource_type/c_bdccspa
dc.type.coarversionhttp://purl.org/coar/version/c_ab4af688f83e57aaspa
dc.type.contentTextspa
dc.type.driverinfo:eu-repo/semantics/masterThesisspa
dc.type.redcolhttp://purl.org/redcol/resource_type/TMspa
dc.type.versioninfo:eu-repo/semantics/acceptedVersionspa
dcterms.audience.professionaldevelopmentPúblico generalspa
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Tesis de Maestría en Historia y Teoría del Arte
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Maestría en Historia y Teoría del Arte, la Arquitectura y la Ciudad