Ecce mono
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Bonil Gómez, Carlos Francisco
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Este texto es una compilación del trabajo de escritura realizado durante los cuatrosemestresde maestría. Las ideas aquí incluidas aparecieron gracias a algunos ejercicios de clase, y a conversaciones con Erika Montoya sobre asuntos significativos para la investigación: el primate, el androide, el humano, la astronáutica, etc.También aparecen consideraciones propias sobre el uso de los materiales y las formas, los referentes de imagen y texto, conceptos y decisiones que enmarcaron el trabajo plástico. Más que una justificación del trabajo de grado, se trata de una reflexión sobre la producción misma y su significado. Ubica la instalación como un accidente premeditado en un espacio-tiempo contemporáneo que también va al pasado y al futuro y a pesar de ser una ficción, el texto y la pieza se desbordan y tocan la realidad, afirmándo la como pertinente dentro del ámbito artístico.
Abstract: This text is a compilation of writings made during four semesters of magister.The included ideas appeared thanks to some class exercises and talks with Erika Montoya about significant matters for the research: primates, androids, humans, astronautics, etc. Also appeared own considerations about materials and forms, image and text referents, concepts and decisions made that did framethe plastic work. More than justify the gradework, this text is a reflection about production itself, and the meaning of it. It place the installation as an premeditated accident, in a contemporary space-time that also goes to the past and into the future, and in spite of being a fiction, the text and the work of art overflows and touch reality, affirming it as pertinent in the artistic ambit.
Abstract: This text is a compilation of writings made during four semesters of magister.The included ideas appeared thanks to some class exercises and talks with Erika Montoya about significant matters for the research: primates, androids, humans, astronautics, etc. Also appeared own considerations about materials and forms, image and text referents, concepts and decisions made that did framethe plastic work. More than justify the gradework, this text is a reflection about production itself, and the meaning of it. It place the installation as an premeditated accident, in a contemporary space-time that also goes to the past and into the future, and in spite of being a fiction, the text and the work of art overflows and touch reality, affirming it as pertinent in the artistic ambit.