Dionisio Hoy: una lectura crítica de Nietzsche a la luz del teatro
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Salazar Montoya, Juan David
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En este texto se realiza una lectura crítica de la concepción del arte en El Nacimiento de la Tragedia de Nietzsche, a partir de los instintos artísticos apolíneo y dionisíaco. Se aborda el problema del arte en sentido amplio frente al arte en sentido estricto, para examinar los vínculos entre la concepción nietzscheana del arte y el teatro como práctica viva y actual. Se plantea la tesis de que la experiencia estética es una donde hay conocimiento y verdad. Palabras clave: Nietzsche, Nacimiento de la Tragedia, Teatro, Arte, Apolo, Dionisio
Abstract: This text is about a critical reading of the conception of art in The Birth of the Tragedy of Nietzsche, as Apollonian and Dionysian artistic instincts. The problem of art in a broad sense and art in the strict sense is approached, to examine the links between the nietzschean conception of art and theater as a living and current practice. The thesis that the aesthetic experience is one where there is knowledge and truth is affirmed.
Abstract: This text is about a critical reading of the conception of art in The Birth of the Tragedy of Nietzsche, as Apollonian and Dionysian artistic instincts. The problem of art in a broad sense and art in the strict sense is approached, to examine the links between the nietzschean conception of art and theater as a living and current practice. The thesis that the aesthetic experience is one where there is knowledge and truth is affirmed.