La estética en el objeto doméstico
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Mesa Jaramillo, Mauricio
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Tipo de contenido
Trabajo de grado - Maestría
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EspañolFecha de publicación
2015-06-12
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Resumen
Resumen: Esta tesis de maestría no pretende fundar un criterio único, sino más bien constituirse en uno de muchos posibles puntos de partida en la formación de criterios que permitan abordar y entender el ‘objeto doméstico’, desde una metodología abierta y holística, tanto como el resultado de una cultura material que define al ser humano en un contexto histórico, social y temporal, como el promotor y legitimador de una serie de relaciones de alcance, uso, apropiación y poder. Igualmente, busca reflexionar sobre cómo los espacios naturales del hombre, la sensibilidad de su piel o la materialidad, actúan como interfaces objeto-hombre y hombre-objeto, y cómo ellos son huella de intenciones sensibles y comunicativas. Para lograr dichos propósitos, se hace un rastreo teórico y una reflexión relacionada con el objeto doméstico desde tres disciplinas, lo técnico, lo antropológico y lo estético, para encontrar allí los vínculos de significación que lo hacen portador de una estética de los objetos cotidianos.
Abstract: This thesis does not pretend to found an unique criteria, otherwise, it constitutes itself in one of the many possible starting points in the formation of criteria that allow to aboard and understand the “domestic object” from an open and holistic methodology that comprehends it as a material-culture developer which defines the human being in a social, historical and temporal context as the promoter and legitimizer of different scope, use, appropriation and power relationships. As well, it attempts to think over men natural spaces, the sensibility of skin or the materiality, that perform as men-object and object-men interphases, and like them, they are print of sensible and communicative intentions. To accomplish such purposes, a theoretical tracking influenced by the technical history, the anthropology and the socio-psychology is made, to find there the signification bonds that makes it carrier of an aesthetic of everyday used objects
Abstract: This thesis does not pretend to found an unique criteria, otherwise, it constitutes itself in one of the many possible starting points in the formation of criteria that allow to aboard and understand the “domestic object” from an open and holistic methodology that comprehends it as a material-culture developer which defines the human being in a social, historical and temporal context as the promoter and legitimizer of different scope, use, appropriation and power relationships. As well, it attempts to think over men natural spaces, the sensibility of skin or the materiality, that perform as men-object and object-men interphases, and like them, they are print of sensible and communicative intentions. To accomplish such purposes, a theoretical tracking influenced by the technical history, the anthropology and the socio-psychology is made, to find there the signification bonds that makes it carrier of an aesthetic of everyday used objects
Abstract
Palabras clave
Objetos (Estética) ; Enseres domésticos ; Entorno doméstico ; Cultura material ; Diseño industrial ; Decoración de interiores ; Domestic environment ; Dinámicas de uso y apropiación ; Material culture ; Industrial design ; Dynamics of use and appropriation ; Objects(Aesthetics) ; House furnishings ; Interior decoration